Is Hollywood inspired by the CIA, or the other way around?

Langley, Va. – A star wall on the CIA headquarters, beyond the handsome granite seal on the lobby floor and carved in honor of the agency’s falling honor, experts work in the complex tasks of Spycraft: arms educated civil servants, computer engineers, virologists, nuclear scientists.

However, there are also storytellers, makeup artists, theater departments and ballerinas – Americans who don’t think that their skills will meet the needs of a spy agency. Still, the CIA thought otherwise.

Rarely, even though the spotlight takes light, there is a rotating talent gate between the country’s premiere intelligence agency and the entertainment industry, inspiration and impact often work in both directions.

The agency aims at the intersection of art and technology for recruitment, and continues to cooperate with the CIA officers Times and to cooperate with entertainment giants to inspire the new generation of creative spies.

This month, the agency is a best -selling author of the New York Times, II. It helps in a young adult book that examines the foundations of the CIA, which was laid during World War II. The scenes from the upcoming scenes were taken at the headquarters, a logistics success in the suburbs of Virginia, a intelligence campus trapped in the rings of the security circles circulating that officers break the bluetooth signals. Another popular flow TV series will return to Langley to film this autumn.

However, civil servants said that their collaborations have come down much deeper than that. The creative minds in the Hollywood and the entertainment industry have played a long role in the Central Intelligence Agency, which has designed smart solutions to the most annoying problems of a magician’s ability to perfect the art of disguise and to publish fascinating illusions of a magician. Indeed, in the 1950s, a magician named John Mulholland from New York was secretly signed with the agency to write a manual for the cold war spies on cheating and deception.

These days, civil servants said that creative skills are more valuable than ever before in such a complex world.

Janelle, a CIA public relations officer, gave the ability to speak under the first name of the agency. “We are always looking for a partner.”

A difficult date

David McCloskey, a former CIA analyst and author of “Damascus Station, and other spying thriller films, presented several theories about why the agency could concern to encourage a solid relationship with Hollywood and call it a“ two -way street ”.

McCloskey said, “There have been operational applications for espionage,” he said. “Probably the exception of the rule, but it’s challenging when it happens.”

It is easy to see why the CIA leaders are interested in Hollywood to shape the impressions of the agency. “But bread and butter takes people to give secrets,” he continued, “Some of this is approaching people in ruling people.”

“No matter how close you are to Hollywood, Mc McCloskey added,“ This has a really interesting ” interesting conversation. ”

Some of the CIA’s iconic tasks – at least not classified – CIA operators, when they conceal the six American diplomats in Tehran during the Iranian hostage crisis, documenting the rich history of the agency with Hollywood, a cinema will recognize a cinema as a land.

Brent, a historian at the CIA headquarters, said, “Argo” was almost too challenging to believe, “he said. “More than Hollywood than Hollywood.”

Canada Caper was both inspired by Hollywood and relied on Hollywood talents. Agent Tony Mendez was a graphic artist before joining the agency and preparing the task.

Another important actor was John Chambers, the make -up artist in the world “Star Trek” and “Star Trek. Honorary Oscar won To work on Simian on the Planet Planet of Monkeys. The CIA’s intelligence medal received a merit medal for his work on secret rescue efforts.

In February 1975, Los Angeles Times broke the story of Business Tycoon Howard Hughes as a cover of a CIA operation to Glomar Explorer.

(CIA Museum)

Just a few years ago, Howard Hughes, a king of the world’s richest men and a king of media, film and aviation, agreed to work with the CIA to make an effort to remove a sunken Soviet nuclear submarine from the base of the Pacific Ocean.

CIA, who deployed Hughes’s Glomar Explorer under the guise of mineral subtraction, was able to save most of the gold before breaking a story that blows the cover of the CIA’s shift in the CIA glitter.

And thanks to a device invented by a professional photographer, another task was possible-then the Batman film “The Dark Knight, which broke the box office records, was the inspiration of a high-level scene.

In the Coldfeet Project, the CIA agents gathered intelligence at a Soviet station planted in an ice layer insecure in the North Pole needed a reliable extraction plan. But how does an agent get an agent without going on the plane?

The answer was “Skyhook: The balloons lifted a Tether of a bunch of cable worn by a high agent in the sky. A CIA plane put it on Tether and carried the agent to security.

Batman in “Black Knight” A dramatic escape Disperse the same type of balloon-marness mechanism.

‘Superhero Spy’

The CIA leadership often says that admission to the agency is more difficult than Harvard and Yale’s coming together. Nevertheless, the agency still has difficulties to hire the type of talent that it is looking for to persuade those who have unusual skills or to convince them that they should leave a safe, relatively good paid, comfortable jobs for a secret life of public service.

The CIA officials are not an easy task of working in the agency, especially working with the family. Deciding when someone will share their real identity with their children and when to share when they will share a regular struggle. However, Janelle said that CIA said that potential recruitment was a medium floor that does not require them to abandon their existing lives completely.

A professional photographer working with the CIA invented what is known as “Skyhook ında in the 2008 Batman film“ The Dark Knight ,, which was used by the Spy Agency in the Arctic mission.

(CIA Museum)

“People do not have to leave their companies to help their country and work with CIA, Janelle said. “People come here because they love their country and know that they can make a difference.”

Janelle is part of a team that regularly interacts with advertisers who want to describe the agency or spies as accurately as possible.

“Some producers and directors lie down and care about accuracy, Janelle said,” But ultimately they choose what will work for the film or show. “

As long as CIA analysts leave the agency for opportunities in the entertainment industry, writing books and scenarios from their experiences – as long as they do not follow very closely with these experiences.

McCloskey, who worked on a fifth novel focusing on the US and British intelligence, was a part of the agency before starting his writing careers. And as CIA graduates, they had to present their work to examine.

“There is a process of publication and classification-observation, Brent said Brent, Brent, Brent said.

This process may be a slight slog, McCcloskey said: “They are literally corrected with black ink.”

However, it is much more difficult for non -fictional writers than novelists.

McCloskey, “Tradecraft parts or assets or people who are clear no people,” he said. “But with novels, it is not difficult to write them from the examination board.”

Try it as possible, studios, it doesn’t matter how often they are corrected, repeat the same lies about the CIA. Officers and representatives are not the same. And as much as the spy voltage films, the majority of officers who disappointing are licensed or trained to carry weapons.

“Something Hollywood often makes a wrong thing, when there is really a team of sports here, the idea that there is an officer doing everything,” he said.

Center Jessica Chastain is secretly playing a member of the selected spy and military operators team dedicated to finding the film Al Qaeda leader Osama bin Laden in Columbia Pictures 2012 “Zero Dark Thirty”.

(Jonathan Olley / Sony Pictures)

In 2012, an Oscar -winning film “Zero Dark Thirty ılan, which was published on the Avı of Al Qaeda leader Osama bin Laden, was criticized by some of the intelligence community borrowed a single fictional CIA analyst to watch it.

McCloskey sympathizes with the author’s dilemma.

“35 people in a team can not. In terms of storytelling, it doesn’t work,” he said, although there are many old spies to work as a consultant by admitting that he was caught correctly on the screen in the field of espionage.

“There is no lack of resources to do it right,” he said. “Superhero spy – Jack Ryans and Jason Bournes – Hollywood representation of espionage.”

However, the agency, which has been incorrectly glorified and dramatized, hopes that Hollywood’s work can move the doner door and inspire to participate in atypical capabilities.

Brent There are our architects, carpenters, people working in logistics, Brent said Brent. “Here people may not realize their skill sets in the CIA.”

And as Canada Caper shows, sometimes requires SpyCraft StageCraft. What is most needed to complete the next task will not be a costume design, not ominography or data mining. Or maybe another ballerina.