Gentle definition at Fendi in collection inspired by childrenswear | Milan fashion week

ASilvia Venturini Fendi’s house, founded by the grandmother and grandfather for the centenary, is part of the sales site as much as the family baguette bag. Orum I think about children’s clothes, because I have a big family and my daughter is pregnant with twins, ”he said. The 64 -year -old creative director made a Kameo view on the podium earlier this year, and his 18 -year -old grandson calls his “the most violent critic”. (“I tremble when you call after my show.”)

This season, Fendi adapted the featured adjustable elastic in clothes made for growing bodies, and made a feature of elegant grograin touches to add a slight definition to the waist of the jacket or a dress. The result was unexpectedly sophisticated. Casting, including men and women of all ages and sizes, was a victorious showcase because the shapes of the shapes work on different bodies.

Silvia Fendi said behind the stage, “I am just proud, I am very proud of what I have done, but also all talented people who have done with me .. “About everything I’ve seen for days, I can talk in fashion in this life. I’m very happy.”

When the British designer Kim Jones left the house last year, the family passed into the hands of creative control while celebrating the 100th anniversary, but a long -term plan was not announced. Maria Grazia Chiuri is said to be in the frame for a future role in Fendi, but the adhesive separation from Dior, which was recently changed by Jonathan Anderson to the creative director, can make negotiations difficult with the luxury giant Lvmh behind Dior and Fendi. For now, Fendi remains in a birthday party mode with an opening night for Palazzo Fendi Milano, a new admiral store that splashes in the center of Milan after the show.

Fendi’s century stability stands out on a monthly fashion show full of designer exits. The luxury industry faces a steep slowdown and brands are banking on new faces and new ideas that attract consumers.

The first show was followed by the Italian designer Simone Bellotti at Jil Sander, Simone Bellotti, the first demonstration of the showy film, which launched a new era under Demna, a surprise election creative director of Gucci. Later in the week, the British designer Louise Trotter will present his first collection for Bottega Veneta, where Matthieu Blazy, who was now found in Chanel, will fill the gap created by the separation.

Bellotti, who worked behind the scenes in Gucci and chaired Bally’s house, returned to pure, industrial toned minimalism, the trademark of the house, which was founded by Heidemerie Jiline in 1968 by Heidemerie Jiline. It was a clear silhouette of cotton matches with bare legs and thin Oxford Croges. Minimalism may appear a little pedestrian in the midst of Milan’s star power and fireworks, but the brand’s dedicated Hardcore will be happy.