Julia Roberts sexual assault film After The Hunt divides opinion in Venice

US actress Julia Roberts said, “We are losing the art of speaking in humanity,” he said, “We are losing speaking in humanity,” he said, “

After the new Hunt at the Venice Film Festival, he follows a student who blames a university rape professor at Yale University.

Neither the student nor the teacher version activities are not fully reliable and the film arouses doubt on both sides.

Roberts said that the film will provoke the discussion and said: “We forced people to talk and to be excited or infuriated by it, this is up to you.”

“There are many former arguments that are rejuvenated to create a conversation in this film.”

Roberts portrays the college professor who was captured between a star named Maggie (Ayo Edebiyat) and one of his other teachers and friends Hank (Andrew Garfield).

When a few women were told that the journalists were questioning the morality of the film, Roberts replied: “That’s what we wanted to feel.

“Everyone emerges from these different emotions, emotions and perspectives. And you understand what you believe in strongly and what your conviction is, because we’re confusing them all for you.”

When the Amazon is released by Amazon this year, it will lead to similar discourses and can be seen controversial for the uncertainty surrounding the student’s expression.

Roberts said the film did not take a clear stance in one way or another. He said: “It is not that much, we only share these lives and then we want everyone to go and talk to each other.”

“This is the most exciting bit for me, because we are losing the art of speaking in humanity right now, and if it does everything, the most exciting thing we can make everyone talk to each other.”

The film was directed by Italy’s own Luca Guadagnino, which includes your previous loans, calls me, competitors and a larger leap, while the script was written by the actress Nora Garrett at the script.

“All the characters had a lot of rich complexity, and it’s just a dream,” he remembered The Bear TV series.

“The best way to challenge the character genre, you grow up in this way, and this is the kind of film that I really enjoy watching.

Receiving at different points of the film leans towards different sides because he learns more information from both sides.

However, Roberts rejected his character’s partial support to Hank and his proposal for Maggie.

“I don’t think that only women are withdrawn or not support each other,” he said. “There are many former arguments that are rejuvenated to create a conversation in this film.”

As more information emerges throughout the film, Receiving realizes that elements of its own history affect the way of emergence.

Roberts was praised by critics for his role in the film. Telegraph’s Robbie Collin explained this As “best performance in the years” Times was foreseen with rise Oscar victory.

However, many critics had problems with the film as a whole. Nikki Baughan from Screen Daily The film “puts itself too much before the real and valuable discussions of these deep complex issues”.

“Although he wants to encourage the discussion,” he continued, “the stance of the messaging is disturbing.”

The film’s director and screenwriter “seems to believe that this is very new with very provocative, difficult questions and subjective facts” David Rooney from Hollywood Reporter. “But frankly, a lot five years ago, it punishes him more.”

Ryan Lattanzino from Indiewire Although Guadagnino “one of the best working filmmakers”, “ultimately not enough grain” film, adding the following, “efforts for moral uncertainty, but initially becoming morally simple.”

Garfield was known for the best Spider-Man and Social Network and had previously been a nominated for Oscar for Hacksaw Ridge and Tick Tick Boom!

The British actor said that it was a human being about the flawed nature of the characters, which partly attracts him to the project.

“When our motivations are invisible, even for ourselves, we are all unreliable narrators,” he said.

“Especially in a culture where the perception of survival is very important. And as we all know, people will be animal when we are brought to a position that we believe is life or death.

“And this world, these characters and driving forces, desires and needs of themselves in certain ways to themselves and how they are the hero of this story.”

Guadagnino, who was again in the form after running Queer, who was badly taken last year, said: “I think it’s always interesting to see what we carry without knowing that we’re carrying it.

“And it is fascinating to see that this is in the conflict between the characters. I think even people’s lies say the truth.”

Roberts, who previously starred in Pretty Woman and Notting Hill and won an Oscar for Erin Brockovich in 2001, said he enjoyed the opportunity to play problematic women.

“Where’s the problem juicy things, right?” He smiled. “Such great complexity.

“This is like the dominos of the conflict once, once you fall, there is a new conflict and challenge wherever you return, and that’s what makes it worth getting up and going to work in the morning.”