Sabrina Carpenter tones down show

Sabrina Carpenter brought her signature sugar pop sound to a crowd of 65,000 people at London’s BST Festival on Saturday night.

26 -year -old, US singer London’s Hyde Park, a more family -friendly show adopted a brand, sexual trust and racy has established a brand around the lyrics.

At one point, a graphics, Carpenter album Bed Chem’e “parental discretion of the” consultation “client flashed on the screen. The song abandoned his usual sexual obscene performance in Juno and used a ball to fire the t -shirts in the crowd.

In spite of these changes, he still entered a list of 17 songs that still make up the best hit, Hollywood fascinated the crowd with his smile and incredibly fluffy hair.

Carpenter writes music for the women of the generation of friendship, and his songs are full of joke types you hear during the Friday night – the fear of a man who embarrasses you when they meet all your friends.

Maybe that’s what makes him so relatives. He may be a talented singer and dancer with fame on the Disney channel, but you may also have your spouse who brings ice cream while passing through a separation.

Sassy is also impressive from an optimistic dance number to vulnerable, acoustic solo performance.

The Breakout shot Espresso is a successful artist for someone under an age. But many of the surprises of many of them have been in this game for a long time.

Born in Pennsylvania, he started publishing his own videos on Youtube at the age of 10, and a year later he came third in a competition to find the next Miley Cyrus.

After taking part in a few small acting roles, the singer became a well -intentioned Disney star in 2013 when he starred in the TV series Girls Worlds.

The following year he started to publish music and has released six albums so far, but recently received global recognition.

Carpenter became the first female artist to hold both number one and number two In the UK single list In 2024, he became the first artist to spend 20 weeks on the lists with Espresso for three weeks and in 71 years.

From watching him live, he has been waiting patiently for a while, in the world’s biggest stages and thousands of fans – something he refers several times between the songs.

The audience said that he was “very grateful” to the crowd, and he chose to spend Saturday evenings with him and said, “London is very fun and there is a lot to do here.”

Most of the cheeks, which he built his brand, were knitted during the performance of erasing from your life and the perfect mattresses, including the Style Infomers advertising sprays of the 1950s.

However, by Ginuine (one for Magic Mike fans), a bed chemistry and a pony Snippet, as well as more PG than expected.

Perhaps a large amount of young children stood in the crowd between the US Gen ZS and Millennials.

Or maybe a break on the headlines of the pop princess.

First, the Brit Awards returned in March when the opening performance was criticized for being very racy for the pre -release television.

Media Watchdog Ofcom received more than 800 complaints and mostly about Carpenter’s choreography with dancers dressed in beefeater clothes.

Then in June this year It was once again under fire To share his works of art for his new album, for Man’s Best Friend, who showed him in a short dress on his hands and knees, an anonymous man in a suit held his hair.

Carpenter later explained the alternative works of art that he said “was approved by God” and shows that a suitable man holds his arm.

Original artwork criticism came from charities, including Glasgow Women’s aid, which supports victims of domestic abuse. He said Carpenter’s album cover was “regressive” and “encourages violence and control.”

Heather Binning from the Women’s Rights Network, BBC, said that violence against women should “never be used as satire”.

But what Carpenter is a real professional is a real professional, and that can easily adapt both his style and set list to appeal to different viewers.

He ended the show perfectly, with a crane that attracts the great mass of people, excites fans and gives them the opportunity to publish them on their social media.

“Damn, nobody came,” he joke: “London thank you tonight, thank you so much, it must be one of the biggest shows I’ve played throughout my life.”

He hugged with Espresso, marked the end of the show by lowering some of them from a crystal glass in the form of Martini.

Perhaps it was a few murmurs from the crowd waiting for a special guest, but it was clear that it would be a decisive moment in Popstar’s career, and that it would only be a moment of spotlight on it.