Warning amid rumours of Tomorrowland music festival launching Aus event in 2026

Rumors that Australia could soon host a huge international music festival returned this week, and Mice reminded that Aussies would look at the incredible talent of artists raised at home.

When they saw the Kartal -eyed Festival Festival “Melbourne, November 2026 in the Tomorrowland Electronic Dance Festival in Belgium, speculation emerged.

Festival organizers have shown that a festival with a basic scene may be on the road, although Australia Tomorrowland has not been on the road since then – but they haven’t yet announced when and where the organizers could be in Australia.

A Tomorrowland spokesman described nuclear activities as “an experience in which nature, music and art meets ,, hundreds of moving light and led flares, water fountains and geysers and fireworks fountains on the nuclear stage used in Mexico last year in Mexico last year.

The exciting news comes after a gloomy period in the Australian festival sector, and last year, more than 10 events and a few more – 2025, including the glory on the grass and the groove of Moo.

Underneath a core festival, interest and electronic dance music will continue to success as it continues to experience a stable increase in popularity throughout the country.

According to the reports of Music Australia and Creative Australia, about one quarter of the festivals held in the country last year contained electronic music, Australia had the third largest consumer of the species in Spotify.

Olly Arkins, General Manager of the Australian Festival Association, likened that organizers turn their eyes into Australia as the “hard gardens”, where local artists and supporters have been taking place for more than a decade.

Arkins, the power of the local electronic music scene in Melbourne, and a real approval for the long -term work of artists and supporters, ”Arkins said.

However, Core’s size seems to be a bit of an event to please Aussies and to relax the audience a little, while it increases the importance of involving local artists in large bills.

Acknowledging that a big event like Tomorrowland would be very exciting, Arkins emphasized the need to support the local music industry instead of focusing on “bright new thing”.

Arkins depends on the power of all music ecosystem and industry bases, Ark said Arkins.

“The biggest problem we have faced for Australian artists right now is discovery and competition with other countries that are spoken in English.”

More than half of the Australians who do not seek local concerts

According to Creative Australia’s June report, about 66 percent of Aussies, who originated from music, reported that they wanted to hear more local music, but only 33 percent were actively looking for local actions.

In addition, more than 50 percent of the Australian artist rights were won by overseas rivers in 2023-24.

Arkins claimed that flow platforms allowed American artists to rule algorithms and pushed Aussie music.

“These major international activities are important, but they will be successful if there is a powerful base and a powerful music community and an industry to benefit from,” Arkins said.

“The success of small music festivals is as important as big bright things like Tomorrowland.”

A Tomorrowland spokesman said that the core and Tomorrowland events brought together new versions and developing artists from Label Core Records.

“Core, which is dived into different sub -genres with both international reputations and new abilities to discover, aims to give enough energy for a suitable party and to introduce it to artists and special discoveries that they do not expect at the same time,” he said.

It is unclear whether any Aussie action will be added to the invoice.

Aussie Music ‘Film Music to Life’

Art Minister Tony Burke expressed his support for any activity planning that plans to make platforms of Aussie artists while talking in general.

“Australia produces some of the best music in the world. Last weekend, the hottest 100 Australian songs proved this even more, Bur Burke said.

“Any activity that wants to come here and provide our artists to our platform and art workers is great.

“We want our Australian music to be the film music of life in Australia.”

The federal government has injected about $ 8 million into 112 live music enterprises throughout the country and has invested $ 25 million in live music venues in the next two years.

In Victoria, the rumor of a basic event, the state government invests in local artists opened for international actions, and Melbourne Rockers Jet supports Lenny Kravitz’s November performance.

The Temper Trap for Billy Joel and Temper Trap for Kings of Leon in 2022, among the other performances supported by the Victorian government, will become one of the last performances of Amyl and Sniffers ‘Foo Fighters’ last performances.

Victoria Tourism, Sports and Great Activities Minister Steve Dimopoulos said that the state is the country’s live music and activity capital, and its government supports a few activities with grants up to $ 50,000.

This includes 33 festivals such as Queenscliff Music Festival.

“Victoria has gained a strong reputation to offer visitors from Australia and around the world, supporting local affairs and exhibiting our own talents,” he said.

Similarly, NSW recently became the first Aussie government to support Michael’s rule attempt, which required at least one local artist to support international actions in Australia.

After the death of the artist manager Michael McMartin, the venue rental fees for each appropriate demonstration of the rule established in 2024 will be cut 20,000 dollars.

The fees of the opera house concerts will decrease $ 5000 if they comply with the rule.