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From wood engravings to Colin Firth: new exhibition depicts the stories of Jane Austen | Jane Austen

For the 21st century Jane Austen fan, the images of Mr. Darcy, the beloved BBC series Pride and Prejudice or Anya Taylor-Joy, the major screen depiction of Emma, ​​may be the first jump to the mind of Mr. Darcy.

However, an exhibition in Bath celebrates various ways of Austen’s work and depicted some of the most valuable characters of the adapters of his novels.

They include Hugh Thomson’s work, It was assigned to provide 160 pictures for the first completely illustrated print of pride and prejudice At the end of the 19th century.

There are sketches for Helen Jerome’s Live 1936 Pride and Prejudice Theater VersionDarcy was transformed into a burning heartbeat to lead the Firth and the famous Sodden shirt scene.

In addition, in the 1950s and 1960s, there are more restricted parts by Wood Graper and Illustrator Joan Hassall, who produced elegant pictures for Folio Society’s Austen Roma series.

Joan Hassall, Wood Graving, 1957 by pride and prejudice. Photo: The Holburne Museum, Jo Hounsome Photography

Exhibition Holburn Museum overlap Launch of Bath Jane Austen Festival On Friday, a 10 -day celebration will be even more vivid because it is the 250th anniversary of the author’s birth.

Austen lived in the bathroom Between 1801 and 1806 – One of his addresses is right across the road from Holburne – Another exhibition on the other side of the city argues that he is not actually very fond of the ground.

Hannah n Mills, the curator of the exhibition, said that bright paintings help Austen become one of the most famous and long -term writers of England.

He said: “In our modern age, the film and TV adaptations that affect our impressions of characters. In the 19th and 20th centuries, they were the drawings on the page for the fans of Austen. We wanted to look at how the paintings marry words.”

Mills, especially fond of the images of a Thomson pen in the 19th century and Fanny Price and Edmund Bertram from Mansfield Park, said the ink drawing. “Very beautiful and there is such a feeling there.”

In the 1880s, Thomson was an Irish artist who showed Cranford from Mrs. Gaskell. He continued to be one of the most popular and successful book drawers of the Victorian era.

Mills is also interested in the wood gaps made by Hassall. Folio Society prints. “They are iconic and constantly reproduced. There were a lot of early male illustrators, but as they progress to the 21st century, more female illustrators.”

He said that he wanted to present costume sketches for Jerome, because he progressed to Darcy’s modern incarnations, where he began to be depicted as the heart Throb ”.

Bringing the show almost up-to-date, sketchbook Coralie Bickford-Smith used to create a modern recurrence- Penguin’s “Clothburound Classic” version is the version of sensation and sensitivity. “I love Penguin’s doing with Coralie Bickford-Smith, buying motifs from books and making beautiful covers from them. For modern ages, but they are still going back to history.”

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