Glastonbury’s mystery band Patchwork were Pulp, after all

Glastonbury’s worst secret is out. The mysterious group, which was billed as a patchwork, was actually dough. Nevertheless, he wasn’t ready to believe until anyone became.

“If Robbie Williams comes out? widespread People – wearing plastic raincoats.

Later, Jarvis Cocker appeared on the Pyramid scene as the welcome of a hero lined up for E’s & Wizz from different classes of Pulp’s career -made 1995 album.

“I apologize to people waiting for a patchwork,” he pulled. “Did you know we were?”

The crowd replied, “Yes”, with what I can just define as a collective eye role.

“But how?” Cocker is dead.

At the festival, Sheffield Band tried to keep her identities confidential.

Cocker said that they will join only one “life or death status”, but the keyboard player Candida Doyle said that organizers “reservation to BBC 6 music” was not interested in making “reservation.

Of course, they are all detailed pairs of bluffing.

This year, the group points to the 30th anniversary of the 19th title set on the Pyramid Stage of the group – and they are currently enjoying a Renaissance, With a new album called More! On top of the graphics.

While Glastonbury had spent a year in 2026, it was no now or never.

There were several new songs in the sets of celebration Spike Island and the Bible, such as a flavored love. But everyone was really waiting for the big hits: babies, incompatible and ordinary people.

When the crowd jumps, Cocker is whisking on the stage like a washing line in a hard breeze, his arms shake and points randomly.

And acrylic in the afternoon – a hymn to the ordinary realities of suburban gender – walked in front of the scene and threw tea bags to the fans.

It continues to be unique.

Among the fans who sing (and video -taking) were the Glastonbury Organizer Emily Eavis and the former Radio 2 DJ Zoe Ball, which said that “Total Euphoric recall”.

“Hearing all these songs again, jumping up and down with my old friends, I love to be here with all these people who love them,” he said.

“It was really high.”

Pulp’s 1995 headlife nest fell into history as one of the most memorable and victorious sets of Glastonbury – but after the Breaking Roses guitarist John Squire breaking his collar bone, it was actually a last -minute booking.

Cocker later explained “the most nervous I was in my life,” he said.

“But then Robbie came from Takee and wished us a chance.” He said.

“Robbie read us some of her poems. At first I suspected, because sometimes poetry could be embarrassing, but it was really good.”

Performance, signature songs came just a few weeks after showing what Common People would be.

The group, which ranks second in the graphics, held it to the end of the sets for maximum effect.

While introducing the runway, Cocker made a sincere speech about the group’s slow burning career.

“If you want something enough, then it will actually be – and I believe it,” he said.

“Actually, that’s why we stood on this scene after 15 years, because we wanted it to happen, do you know what I mean?

“So if a pole git like me can do it, you can do it.”

And, however, the celebration, which confirmed Pulp’s status as Britpop’s poet awards, began a common, 7 -minute Singalong.

“This was the event that made this success a concrete fact.”

The group continued to sell more than 10 million records before taking a decade in 2001.

After that, they wandered again from time to time, but last year they decided to make a new record after receiving an offer “we weren’t sure we could reject”.

Cocker on stage in Glastonbury, explained how they gathered in the living room in the north of England “to decide.

“We had a quality acoustic guitar and we left the melody piano and an African drum and tried to play this song and finally decided to tour somehow.”

This song has changed, probably the most romantic moment that the group played in the same instruments was gathered in a circle at the center of the pyramid phase.

Like the rest of the set, it was an emotional gesture that had sank in nostalgia.

Naturally, they finished with common people – developed by red arrows at the peak of the song. The timing of the stunt finally announced why the singer spent most of the set by checking his watch.

Cocker thanked the audience when leaving the stage and said, “I’ll see it later in Arcadia, okay?”

This is a date.