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Art Vs Radicalism: Bangladesh Madrassas Turn Into Bomb Factories While Pakistani Singer Gets Red Carpet – Yunus’s Twisted Priorities Exposed! | World News

Rabindranath Tagore said that art has no religion; this is the expression of the human heart. But in Muhammad Yunus’s “New Bangladesh”, art turned into crime! In a country where fundamentalism crushes creativity, artists are hunted like criminals as radicals revolt.

In Faridpur, 120 kilometers from Dhaka, a school anniversary concert featuring rock star James turned into a battlefield! Before James even took the stage, radicals burst in, throwing rocks and chairs at students and organizers. More than 20 people were injured. Panic ensued as the terrified crowd fled for their lives. James and his group were evacuated under security guard. The concert has been cancelled.

Meet the victim: 61-year-old Farooq Mahfuz Anam James – Bangladesh’s legendary rock star, lead singer of ‘Nagar Baul’, who sang hit songs in Bollywood movies like ‘Gangster’, ‘Woh Lamhe’ and ‘Life in a Metro’. His crime? Being a Bangladeshi artist who dares to give a concert in his own country!

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But here are the sickening double standards that gave rise to the Yunus regime:

Just 12 days ago, on December 15, Pakistani singer Atif Aslam gave a peaceful performance in Dhaka* to the cheers of thousands; No to violence, no to radicals, no to chaos! This comes despite Bangladesh burning after radical student leader Usman Hadi was shot on December 12, creating chaos across the country.

Why was Atif safe while James was being attacked?

Because Atif is from Pakistan and the fundamentalists of Jamaat-e-Islami survive on Pakistan’s money! Because Bollywood banned Atif and made him its hero! Because James works with Bollywood, which makes him their enemy! Bangladesh’s system has not only leaned towards radicalism; He himself turned to radicalism!



And the situation gets worse; Madrasahs are now BOMB FACTORIES!

A huge explosion occurred in a madrasa building in Keraniganj, Dhaka. The walls were blown away. 4 people were injured, including a teacher’s family, a woman and children. During their investigation, the police found chemicals and bomb-making materials in the madrasah!

The place of training was to produce explosives! These bombs are spreading terror across Bangladesh by targeting Hindus, artists and cultural institutions. However, Yunus, the beloved puppet of Jamaat-e-Islami, turned a blind eye to this horror.

Is Yunus’ only agenda? Anti-India propaganda! While Pakistani singers are getting VIP treatment, Bangladeshi artists are being beaten. While madrasahs are producing bombs, art is being criminalized. Tagore’s Bangladesh, where art transcended religion, is dead. Welcome to Yunus’ Bangladesh, where radicalism overshadows everything, even humanity!

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